Publishing Practices 4
A flood is a remembering : Communing in catastrophe

 Ancien Palais de Justice
07 November – 07 December 2024

Dakar – Senegal

In the wake of histories marked by rupture and resilience, the Haptic Library is a site of remembering—a space where concealed, unloved, and insurgent knowledge resurface and overflow.

Drawing inspiration from the word “hapticality,” as proposed by Stefano Harney and Fred Moten in The Undercommons, the Haptic Library presents itself as a receptacle for extending “the capacity to feel through others, for others to feel through you, for you to feel them feeling you…” It questions the inherent dominance of sight and printed matter by bringing multiple approaches to inscribing and disseminating knowledge into proximity and encouraging interaction with a range of textural forms and modes of thought.

Inspired by Christina Sharpe’s wake work and Toni Morrison’s call to re-membering through floods of love and imagination, the haptic library invites us to navigate the textures of textiles, the prose of plaits, and the syntax of sonics. It questions the colonial foundations of knowledge  by reopening forgotten archives, which are not confined to the written word, the finitude of the book, and the conventional idea of the library.

Let us commune one final time in this space for deep listening, re-membering and re-grounding amidst and across the intricacies of brutal conditions of existence and shared resistance. 

Artistic Direction of the Biennial: Salimata Diop 

Associate curators: Marynet Jeannerod, Cindy Olohou, Kara Blackmore

Archive Ensemble : Mistura Allison, Kany Ndiaye Sarr, Chiara Figone, Samira Ghoualmia, Kennedy Jones, Salma Kossemtini, Tabara Korka Ndiaye

Books, fabrics, carpets, and baskets will be displayed side by side with the stories of various poets, artists and performers, including:

Zineb Achoubie and Lorenzo Sandoval, Rashida Bumbray, Banji Chona, Diana Ejaita, Adama Delphine Fawundu, Keren Lasme, Elsa M’bala, Savanna Morgan, Nontsikelelo Mutiti, Katy Léna Ndiaye, Sara Ouhaddou, Lerato Shadi, Kimpavita.

Production: Babacar Diouf, Nelson, Mamodou Diallo, Mohamed Dimba, Baba Graff, Ousseynou Baye Fall, Ibou, Pape, Magloire, Ibrahima, Seydou Barry, Seydou Ndiaye

Graphic Design : Anna Diagne and Ismahane Poussin

 

Schedule November 2024

Dak’Art Biennale of Contemporary African Art 2024

(Full program below)

Thursday 7 November  2024

Opening of the Haptic Library

Thursday 14 November 2024

Roundtable Discussion: Haptic Library & Publishing Practices

3:30pm – 5pm
Ancien Palais de Justice, Dakar

Editorial Practices as knowledge production: Decolonial, Ecological, and Feminist perspectives

  • Chiara Figone (Archive Books, Archive Ensemble)
  • Elena Bougaire (Kimpavita, Dakar)
  • Vidya Tamby (Editions Vives voix
  • Moderated by Dr. Maguèye Touré

Activations

Thursday, 14 November 2024
Haptic Library Activation: Chi AKA Rob Machiri & Savanna “Sweetwater” Morgan
6:30pm
Ancien Palais de Justice – Haptic Library

Blending music, poetry, and embodied ancestral memories.

Wednesday, 15 January 2025
Blues People: Performance & Listening Session
6:00pm
AWU Feminist Library, Roundpoint Cheikh Anta Diop, Dakar
Language: English
Flyer & video by Namir Fearce

Schedule:
6:00pm – Performance
Savanna “Sweetwater” Morgan (USA), Blu Bone (USA), and Amadou Cissokho (SEN)
7:00pm – Conversation with Savanna “Sweetwater” Morgan & Blu Bone

In May 2024, as the Dakar Biennale faced postponement, we took the opportunity to gather for a three-week residency in Dakar and Toubab Dialo, fostering a space of reflection, study, and collective crossings. 

Bringing together Archive Ensemble and the participating artists of the Haptic Library, this gathering extended the ongoing co-learning process within the framework of “the wake” work—an urge into remembrance, continuity, and resistance amid the world’s unfolding genocides and catastrophes. In this space, we sought refuge in the words of Toni Morrison and the embodied practices that have shaped our thinking on building the Haptic Library as a receptacle, a space of non-linear knowledge. This extends to our participants’ practices: Banji Chona’s basket-making as a vessel of memory, Keren Lasme’s deep attunement to the earth as a primary archive, Diana Ejaita’s exploration of symbology and Elsa M’bala’s finds .

The residency was a moment of co-learning and activation, enriched by our participation in the African Art Book Fair. We hosted a dinner to celebrate the new home of AWU in Ouakam, and welcome fellow participants of the fair. On this occasion, we also had the chance to meet with esteemed curator Natasha Ginwala, engaging in conversations on curating and publishing and learning about her research for the next Sharjah Biennale, alongside remarkable practitioners and artists. 

We hosted a book presentation of Seloua Luste Boulbina’s latest book, Sortir de Terre: Une Philosophie du Végétal, published in French by Jimsaan and soon to be published in English by Archive Books, at IFAN in the Mbok library curated by Kany Ndiaye Sarr. We engaged in sound poetry by Savanna Morgan, reflecting on the legacies of the blues. We built, unpacked, and activated our own library, reflecting on the resonances between the books, our practices, and our ongoing quests. In parallel, Archive Ensemble hosted study days, where the residents took the time to learn from and inform each other about their practices and discussions. This nurtured an intimate space for shared learning and expanded on how knowledge is created, shared, and remembered.

This program stands as an homage to the many women whose intellectual and creative legacies continue to shape our thinking and making—Toni Morrison, Alice Walker, Saidiya Hartman, Alexis Pauline Gumbs, Denise Ferreira da Silva, Seloua Luste Boulbina, M. Jacqui Alexander, and the many women before them.

Toubab Dialo & Dakar

Arrivals and Introdu

Wednesday 15th of May 2024 | Dakar

Exhibition visit

Evening | Vernissage: EXPORT IMPORT
Selebe Yoon (Croisement Rue Salva et Rue Parchappe, Dakar)

 

Thursday  16th of May 2024 | Dakar

Place du souvenir

14:00 – 15:00 | Panel Discussion
Rethinking the Library as a Space for All Possibilities
Beyond the Western cosmovision, libraries take many forms. Can rethinking the library as a space of infinite possibilities help reshape African, diasporic, and indigenous epistemologies?

Speakers:

  • Ntone Edjabe (Chimurenga)
  • Pascale Obolo (AFRIKADAA)
  • Fatima Sy (Raw Material Company)
  • Myriam Omar-Awadi (La Box)
  • Chiara Figone (AWU Library, Archive Ensemble)

AWU Library

18:00 | Meeting Natasha Ginwala

20:00 | Welcome Dinner for Exhibitors at the African Art Book Fair
Hosted at AWU Library
Organized by Archive Ensemble & the African Art Book Fair

Saturday 18th of May 2024 | Dakar

Place du souvenirs 

14:00 – 15:00 | Panel Discussion
A Dialogue on Monographs with Institutions
Exploring the role of monographs in shaping artists’ careers and rewriting a more inclusive art history. Can monographs counter the homogenizing classifications of African artists in thematic publications?

Speakers:

  • Galerie Cécile Fakhoury / Delphine Lopez (Dakar)
  • Zeitz MOCAA / Storm Janse van Rensburg (Cape Town)
  • CARA / Manuela Moscoso (New York)
  • Archive Books / Chiara Figone (Berlin)

 Moderator: Christine Eyene (LJMU / Tate Liverpool)

18:00 | Performance: Savanna Morgan
Place du Souvenir

Sunday 19th of May 2024 | Dakar

Place du Souvenir

14:00 – 15:00 | Panel Discussion
Genealogy of Feminist Voices
Tracing feminist thought through books and oral tradition from a transgenerational perspective. Do feminist discourses have a memory?

 Speakers:

  • Coumba Touré (Writer & Activist)
  • Mame-Fatou Niang (Carnegie Mellon University, Center for Black European Studies at the Atlantic)
  • Christine Eyene (LJMU / Tate Liverpool)
  • Kany Ndiaye Sarr (AWU Library, Archive Ensemble)

 Moderator: Fabiola Mizero (Author)

18:00 | Vernissage: Raw Material Company Zohra Opoku

Exhibtion visit

About the residents: 

Banji Chona:

Banji Chona is an artist, researcher, and curator. Chona’s practice combines ancestral baTonga knowledge with experimental contemporary techniques. Focusing on critical explorations of identity, memory, resistance and the communion of community through storytelling and healing, her work is rooted in the methodology of Radical Zambezian Reimagination. Chona has exhibited in both solo and group shows in Zambia, Italy, Norway, Germany, and South Africa. Her work and practice have been documented in the art journal Contemporary&. She is the recipient of the 2024 Prince Claus Seed Award and a fellow on the LoCA 2024 Curatorial Studio Programme in Livingstone, Zambia

Diana Ejaita

Diana Ejaita is an Italian-Nigerian artist based between Berlin, Germany, and Lagos, Nigeria, who works in illustration and textile design. 

Her work pays homage to her Nigerian origins, including its literature, art and textile traditions. Ejaita brings together influences from Europe and West Africa, mixing aesthetics and styles to examine her experience as an artist of the African Diaspora. Inspired by traditional handicraft, Ejaita often experiments with tactile processes and printing surfaces, including silkscreen, wood, Lino engraving, and hand and digital drawings.

As a child of migration, her work also centers on issues of colonial/postcolonial effects, racial and gender discrimination and identity research. Her illustrations are known for their contrasting areas of black and white, with soft patterns and textures that suggest the strength of femininity.

Diana Ejaita’s illustrations have been featured in numerous international publications, including The New Yorker, The New York Times, The New York Times Magazine, The Washington Post, The Boston Globe, The Economist, Vogue, Financial Times and Monopol. 

Elsa M’bala

Elsa M’bala (also known as A.M.E.T.) is a sound artist and performer. She co-created the Pan-African feminist poetry duo Rising Thoughts. In her current work she uses voices and online samples, mixes analogue and digital sound machines as well as electronic and acoustic instruments to experiment with speeches, rituals, and poetry. Elsa M’bala performed her writings and music at various events throughout Europe and the African continent. By using technology as an empowering tool she explores further the interconnections between race, gender, technology, and spirituality. Elsa M’bala lives and works between Berlin and Yaoundé.

 

Keren Lasme

Keren Lasme is an Ivorian interdisciplinary artist and cultural worker practicing inside the realms of engaged pedagogy, knowledge transmission and (inner) world building. She describes herself as an aesthete who reclaims the dreamscape to share fragments of wonder, beauty and mystery.

She is a 2021 Prince Claus Seed Awardee, a recipient of the Prince Claus Moving Narratives Award and a Fellow of T:>Works Per°Form Open Academy in Singapore. She has exhibited in Galeria Alexandre Filho, Galerie Farah Fakhri, Something Art Space and Nubuke Foundation amongst others. 

In 2020, Keren created KOKOBA: Meeting Our Griots, a cultural project centering African literatures and moving between art, research, archiving, documenting and education while embracing the act of learning as a healing, liberatory and pleasurable practice.